Attending the Metaverse Symphony in Hong Kong

The Hong Kong Cultural Middle is, for all intents and functions, very actual and really planted within the bodily world. Once I attended The Metaverse Symphony on Might 5 – in individual! – there have been no digital actuality (VR) headsets for the viewers to placed on on the entrance, no augmented actuality (AR) app for good telephones to obtain, and no on-line model of the symphony.

Maybe you’re already accustomed to one of many many variations of ‘the metaverse.’ There won’t be an agreed-upon definition, nevertheless it typically suggests a digital actuality the place customers work together in a computer-generated world. Cryptocurrency advocates say the metaverse encompasses extra, by NFTs, VR, and Minecraft-like video games, whereas Mark Zuckerburg’s Meta (brief for metaverse) focuses on creating VR workspaces and video games.

The Metaverse Symphony was not one of the above.

The occasion happened in a bodily auditorium two-thirds full. The night started with a wholly unrelated (although fairly stunning) piece about conflict, entitled By means of the Fog. Then, conductor Gerard Solanga appeared on stage to elucidate what The Metaverse Symphony was and the way it might work: a digital artist, Henry Chu, would sit on the sidelines and make visible results on a big display behind the orchestra to match with the music. How… meta?

Evidently, the primary motion, entitled The Digital Age, left lots to be desired. Suppose visualizations harking back to Starfox 64, however with out the enjoyable gameplay or dialogue. The bins and features shifting and breaking up didn’t appear to essentially relate to the supposed metaphor at hand: telephones vibrating and folks frantically switching apps on their telephones.

Motion two was entitled Fibre Optics. Right here, one thing really meta did happen: a cellphone within the viewers performed a track on full blast and its proprietor didn’t know easy methods to cease the noise for an excellent 45 seconds. That stated, Fibre Optics had significantly better music than The Digital Age, offering a powerful backdrop for a extra relatable visible: partitions of traces in black and white that constantly break aside, smashing collectively in a rainbow of shade because the piece reached a crescendo.

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